Son Ha village artisan

DNUM_ACZBAZCABD 01:18

(Baonghean) - Although he is 70 years old, Mr. Lau Chong Di, Son Ha village (Ta Ca commune - Ky Son) is still devoted to teaching the younger generation how to play traditional musical instruments. He has passed on his passion for the Mong flute to many young people in the area. For that reason, Mr. Di is loved and respected by the locals.

Mr. Lau Chong Di was born and raised in the Ky Son border mountains, and has been attached to the Mong flute since childhood. According to him, when he was a boy, his father taught him how to play and dance the Mong flute. The boy learned very quickly, and in no time the flute's sound was smooth, and his steps were graceful and rhythmic. When following his father to the fields, following his mother to the market, or when moving from village to village, the young Lau Chong Di never forgot to bring his flute. When he was young, every time there was a market in the border area, Lau Chong Di often invited his friends to come here to dance with him. The sound of the flute had a strange attraction, making many girls flutter. Thanks to his ability to play and dance the flute well, Lau Chong Di conquered the heart of the most beautiful girl in the village and married her.

When he had his own family, life became busier but Mr. Di still spent his free time on the sound of the panpipe and dancing. On quiet nights, the people of Son Ha village often enjoyed the sound of the panpipe, sometimes low, sometimes high, sometimes whistling like the wind blowing, sometimes murmuring like the sound of a stream... After a long time without listening to Mr. Di's panpipe, the people felt something was missing in their souls.

As socio-economic life develops, village life changes and improves. This means that exchanges in all fields, including music, are expanding. Many Mong youths follow strange songs and music, forgetting the musical identity of their own people.

Faced with this reality, Mr. Lau Chong Di clearly recognized the danger of national music being lost and was very concerned about finding ways to preserve it. He always advised his family members to be conscious of preserving their identity. Listening to him, his children and grandchildren were all conscious of learning and were all proficient in playing the panpipe, and were all able to sing the folk songs passed down from the past.

Ông Lầu Chống Dì với điệu múa khèn.
Mr. Lau Chong Di with the panpipe dance.

Whenever he has the opportunity to meet with young people, Mr. Lau Chong Di often tries to advise them to come to the sound of the Mong flute, with the cu xia and lu tau melodies, because that is the spiritual heritage passed down from our ancestors for generations, the "soul melody", the character and bravery of our people. Not only talking, Mr. Di always tries to prove it through each piece of music and dance. On holidays, New Year, weddings, parties, and festivals, he often comes and brings along the flute.

According to him, doing so is not to show off but only to make people around, especially the young generation, interested in their traditional musical instruments, so that the sound of the Khen will never be lost. He is happy that his work has been somewhat effective, many young people have come to him for guidance on how to use and dance the Khen. In particular, a few years ago, the Department of Culture of Ky Son district cooperated with the Institute of Traditional Music (Hanoi) to open a class to teach folk songs and traditional musical instruments, and he was invited to participate as an artist. Despite his old age, his strength and bones are no longer flexible, but in front of the students, Mr. Di still shows his passion in each piece of music and dance.

Talking to us, Mr. Lau Chong Di confided: “Every ethnic group has its own identity, expressed in many aspects such as housing, costumes, language and music. Adults must advise the younger generation to be aware of preservation. I always want to contribute my small part to preserving the musical identity of my ethnic group, so that the panpipes, dances and folk songs of the Mong people will never be lost.”

Cong Kien

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Son Ha village artisan
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