Visit Quan Thanh, meet famous sacrificial drum artisan of Nghe An
Minh Quan•DNUM_BJZAHZCACF 07:40
In the journey of preserving and spreading the art of Yen Thanh sacrificial drums - an art form that has just been included in the list of National Intangible Cultural Heritage, the silent but profound contributions of artisans are extremely valuable. Prominent among them is artisan Le Khac Dinh in Quan Thanh commune (formerly Xuan Thanh commune, old Yen Thanh district).
Mr. Le Khac Dinh performs the sacrificial drum at the Gam Temple - Pagoda Festival in 2025. Photo: NVCC
The fate of an artist
One weekend morning in mid-July, in the large, tree-shaded yard in front of artisan Le Khac Dinh’s house, the sound of drums resounded loudly. More than 20 students, mostly children, mixed with a few middle-aged and elderly people, attentively followed the artisan’s every demonstration.
Mr. Dinh's hands moved the drumsticks quickly, each drum move was decisive and slow, the sound resounded like the sound of horses' hooves in the middle of a battle. Without a podium, without a lesson plan, that class was led by burning passion, by an authoritative inspiration and a deep sound that had penetrated the souls of many generations of Nghe An people.
Drum artist Le Khac Dinh. Photo: Minh Quan
Born into the family of the Le Khac clan in Ke Gam village, Quan Thanh commune - a place with a long tradition of sacrificial drums, Mr. Le Khac Dinh was destined to be attached to the sound of drums from the moment he was born. He said that since he was a child, he was lulled by the sound of drums every spring, when the village organized the Gam Temple - Pagoda Festival or the family's ancestral worship ceremony. At the age of 3, he was already babbling with drumsticks. At the age of 6, he was directly taught the basic techniques of sacrificial drums and ceremonial drums by his father and the elders in the family and village.
Drum lesson at Mr. Le Khac Dinh's house. Photo: Minh Quan
At the age of 8, his talent was recognized by the whole village when he was invited to join the village drum band. Since then, for nearly 50 years, he has never been absent from any festival of his hometown. With his accumulated experience, since 2015, Artisan Le Khac Dinh has been entrusted by the village with the responsibility of holding the big drum (large drum) to run the ritual drum team, serving the ritual ceremonies. This position not only requires excellent personal technique but also recognition of prestige, experience and leadership ability in the community.
Drum lesson at artisan Le Khac Dinh's house. Clip: Minh Quan
Throughout his journey with the art of sacrificial drums, Artist Le Khac Dinh has made his mark with many remarkable achievements. He won first prize at the Traditional Sacrificial Drum Competition at the Gam Temple - Pagoda Festival in 2015. In 2023, he and the Quan Thanh commune sacrificial drum team won first prize at the Sacrificial Drum Competition within the framework of the Ca Temple Festival.
Not only is he a sacrificial drum artist and an art teacher at Ly Thanh Primary School, Mr. Le Khac Dinh also spends a lot of time painting, composing poetry and composing music - activities that help him express his deep feelings for his homeland. He is currently a member of the Poetry Committee of the Nghe An Province Literature and Arts Association, and is also a familiar face in local art and poetry exchange programs.
Not only is he a talented performer, Mr. Dinh is also one of the individuals who played an important role in establishing the heritage profile for the art of Yen Thanh sacrificial drums. He provided key information and directly supported the Nghe An Department of Culture to complete the profile to submit to the Ministry of Culture, Sports and Tourism to recognize Yen Thanh sacrificial drums as aNational Intangible Cultural Heritagein early 2024.
The desire to "keep the fire" of the origin
Mr. Dinh's passion for preserving heritage does not stop within the locality where he lives, but he has proactively taught drumming in many localities inside and outside the province, bringing with him the sacred atmosphere of Gam village drums and a burning love for heritage.
In the drum classes he organizes, in addition to teaching skills, he always focuses on explaining the meaning of each drum beat, each playing position, and each performance situation.
Young students of artist Le Khac Dinh. Photo: Minh Quan
He shared that each beat of the sacrificial drum carries a different emotional state: sometimes majestic like the sound of galloping horses, sometimes deep like the sound of a flowing stream, sometimes tragic like a funeral oration for ancestors. For him, learning to play the drum is not only learning an art form, but also learning to be a human being, knowing how to respect elders, preserving traditions and living responsibly towards the community.
With the spirit of preserving and promoting the heritage of their ancestors, Artisan Le Khac Dinh and those who share the same passion have been carrying out many specific activities. One of the important steps is the establishment of the "Ke Gam Village Drum Club" (formerly Xuan Thanh Commune Drum Club) to institutionalize the conservation work, shifting from the oral, spontaneous form to a more organized, professional model, creating favorable conditions for the teaching and sustainable development of the art of drums.
The teaching activities of Mr. Dinh and the Club have achieved remarkable results. They have taught the traditional art of drumming to many families not only in Yen Thanh district (old) but also in other localities outside the province. Hundreds of students of all ages have been exposed to and learned this art.
Artist Le Khac Dinh instructs young students. Photo: Minh Quan
In addition to teaching activities, the Ke Gam Village Drum Club plans to produce videos using technology to communicate the significance of preserving and promoting this art form, helping Yen Thanh drum overcome geographical barriers and reach more people, especially young people.
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The sacrificial drum is not only a traditional art, but also a part of the spiritual life of the homeland. It is the sound of the origin, the sacred beat connecting ancestors with today's descendants. Therefore, the sound of that drum needs to resound forever - not only in temples and pagodas, but also in the hearts of the young generation.
Drum artist Le Khac Dinh (Quan Thanh commune, Nghe An province)
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